#FAD Market

[hentired]

A lot of people are missing the point for that marketing post i think about Barbie / Oppenheimer / Grimace Shake challenges etc.

Its not about not posting about seeing a movie. You can see a movie and tell your friends about it, post about liking it or whatever. That's fine. The problem is that it's becoming a trend to go see these movies or participate in these challenges. People aren't doing it out of intrinsic motivation, but because they want to be part of the trend. This is what makes every corporate marketeer cum their pants.

Marketing is not to cater to people who would watch these movies nonetheless. Its to convince the people who normally wouldn't to do so anyway. Its about making people who don't participate feel left out so they'll go see it anyway and post their pink Barbie-watching outfits on Instagram so everyone else knows they're in on it. Its social manipulation to convince people to be part of something. Its very healthy to be conscious about it when you post about these trends and its also good to remind yourself that you shouldn't do anyone's marketing for them for free.

Again, there's nothing wrong with seeing a movie and posting about it. There is something wrong with making people feel left out for not seeing something and pressuring people to see something to belong in the in group.

[neon-moon-beam]

The irony of stores selling "stim toys" or "sensory toys" and then blasting pop music really loudly and having bright, fluorescent lights, or even flashing lights...Really seems they think "stim/sensory" means "'satisfying' to watch on the video app du jour" and not what it actually means.

[mars-ipan]

do you folks remember when food youtube was good

[sapphia]

people who think that ai can replace writers in fields like literature, tv, film etc are commenting on how dull and shallow they think modern consumers and their mediums are rather than how possible it is to actually is to do

[moodr1ng]

i think theres probably something interesting going on regarding the relationship between.. how accessible a form of media is to create at a professional level for an average individual or small group (eg: writing at a professional level is comparatively very accessible, making a movie at a professional level is comparatively inaccessible) vs which forms of media are currently dominating whats considered mainstream and which forms appear to not be valued as much anymore. but any conclusion i draw upon would only be anecdotal so its whatever

[dryingoutmymind]

This is the boba website

"boba" has replaced "coffee" in my mind so completely that ill always say "wanna get boba sometime?" or "ill buy you a boba next time i see you" and i forget most americans probably havent had it or enjoyed it lol

[novelistparty]

"AI" hype is largely a fad. Much like "GPUs for general computing" in say 2010 when you couldn't go to a conference without hearing about how a GPU had changed the way people did their computer analyses. But here we are 13 years later and very very few people make use direct use of their GPU for general computational work. But for a while there, it was brought up in every meeting and every proposal process and every call for papers. I hated it then and I hate it now. I watched my colleague's postdocs waste months trying to speed up their work with a GPU instead of spending 5 minutes ordering one or two additional computers. We are in the most infuriating part of the fad cycle where the hype is the strongest as the fadders (sorry stealing this word from the godparents for the moment) are excited because they're just starting to release their creations into the world (steam allowing AI stuff, microsoft adding a copilot key to keyboards, news outlets using AI to paraphrase press releases). But there hasn't been enough time for meaningful feedback on any of it. Thus: all hype, no consequences. And let's not forget the tech world context for all this: interest rates went up, money became expensive again, and now tech has to produce real things in the short term and what better way to give yourself a longer investor-money-runway than to promise that your very expensive tech company will most definitely return that hard profit as soon as they spend a lot more money on New Fancy AI Tools that will Change The World

[thatbanjobusiness]

The trend of modern, flimsy record storage needs to die in a hole. It only proves that vinyl is a fad, for display and clout rather than practicality.

Extra points for the stackable, collapsible, cloth boxes that are "for vinyl." Because that's not record damage waiting to happen.

And like. It's one thing if there are good alternatives easily available on the market. But 95% of what I see is an accident waiting to happen in some form or fashion. The remaining 5% is expensive as twice butt and stores a paltry sum.

I'm going to become a box maker out of spite. I am. Going to be. A box maker. The best box maker in the damn world. Out of S P I T E.

[slapstikcomedyentertainment]

A Guide to the Good the Bad and Just the Fad Diet Fads

I am here to tell you what diet is worth sacrificing a ten count of chicken McNuggets...

It seems like every week there is a new diet that goes viral. The marketing of these diets is so convincing that people go into them thinking they’re going to lose 20 pounds and look like Bella Hadid within a week’s time. While it’s true that many of these diets do show some results, it is never long-lasting. They are temporary fixes to a larger problem. As a young woman living in this social…

[prokopetz]

You mentioned the baby Huey show when talking about the inexplicable "what was the audience for this?" cartoons of the 90's and why I don't disagree with that notion I do think there was some of that same energy in the 2000s as well, Baby Looney tunes and Loonatics unleashed anyone?

(With reference to this post here.)

I'm not sure I'd concur. Loonatics Unleashed was clearly a delayed reaction to the late 1990s fad for edgy reimaginings of classic media properties, and while the idea of doing that to the fucking Looney Tunes is misguided, there's no mystery about what target audience they were aiming for. As for Baby Looney Tunes, that's even more obvious – it was Warner Bros. trying to cash in on the then-lucrative cartoons-for-preschoolers market. It's hard to picture preschool entertainment being a big cash cow in 2024, but remember this was way back in 2002, before YouTube existed.

I need you to understand that you're DMing me out of the blue about a post from 2015 with – at the time of this posting – a whole 75 notes, and if I wasn't the sort of genetic freak who can remember off the top of his head every social media post he's ever made, this would be an utterly incomprehensible thing to say.

[what-even-is-thiss]

Reading weird poetry and short stories and unapologetically strange novels really does teach you that a lot of stuff people teach you about writing is just not true. Almost anything someone tells you must happen when you’re writing has an exception and writing advice has trends and fads just like anything else.

I was struggling to find where I fit as a writer until I found writers like Daniel Olivias who wrote short stories in ways I’d never seen before. I owe a lot of my current inspiration in my writing to Latin American magical realism writers. Finding magical realism and surrealism really opened doors in my brain that had been shut before.

You can get weird with it. You can get weird in content, weird in form, weird in structure. You don’t need a plot. You can tell a story backwards, you can just sit in an idea, you can explain, overexplain, skip explanation, get political, start ideas, end ideas. No ifs ands or buts you can just throw traditional story structure out the window.

I know what kind of writer I am now. A weird one. You don’t have to be held to standards of predictability, genre fiction, markets, tropes. You can just do whatever. Truly. Honestly. Completely. For ten words or a hundred thousand.

[soft--dogs]

help they turned me into a marketable 90's fad and now they're fighting over who gets me in the divorce (disclaimer: sammy beanie babies sadly do not exist in the physical world)

[seat-safety-switch]

Based on the remarkable sales success of my powerful new business book, Sell Shit To Idiots, I've been swimming in marketing contracts. Thing is, I'm really expensive, mostly because I sell shit to rich idiots. That makes me feel guilty that I'm passing over a lot of poor idiots, who simply don't have the money for my time. Here's one for free: you can often sell more of something by making it bigger or smaller.

Cars have been getting bigger every year, and they're still selling. Theoretically, there should have been some point where we simply stopped buying them because they were the size of an elementary school gymnasium. Now they're high-school sized, and we're still going. How do you fight this trend? Tiny cars, which also sell pretty well to people who are a little weird and don't carry eight family members, sixteen dogs, and the contents of their house with them everywhere.

Bigger or smaller. This simple truism has been lost in our rush to business-school fads. Artificial "intelligence?" Who gives a shit? I dare you to find me a nerd-assed computer that is willing to say the plain truth: your product would sell better if it were much larger. Staple an "XL" on the end of the name, if you have to. Do you sell popcorn? Get a scientist to make you larger popcorn. I'm not talking a bigger bag, that's last-century talk. Bigger popcorn. Big enough that you get worried about herniating yourself when you grab a handful while watching Die Hard 2. Big enough that you could club a man with it. That shit will fly off the shelves, guaranteed. You probably want to buy it already.

Do you need additional evidence? Just take a look at cupcakes. In any major metropolitan area, there are several cupcake bakeries that exist entirely by making slightly smaller-than-normal cupcakes. What was their investment? Less. What do they charge? More. It's been awhile since I read an economics textbook, but I'm pretty sure that's how you get paid.

I can hear a lot of my haters in the back starting to get up, shuffling towards the door, unable to come up with a coherent counter-argument or even a reckless heckle in my direction. You run, you fucking cowards. And when you get home, you can write your apology letters to me with a comically large ball-point pen.

[bumblebeesfromvenus]

Deck the Halls 🎻

Bale!Bruce Wayne x Wife!reader

A/N: This is the ultimate crossover, Bale!Bruce and Christmas, what more could you want??? I don't know quite how I feel about it mainly because I wrote most of it at 3 am lmao. Love-hate relationship, I guess. I hope you like it, anyway!

~Fi 🐝

Fi's Christmas Market ☃️

Warnings: implied angst?? Mention of his parents' death (very briefly), so much fluff omg, starring Alfred, Selina, and Lucius, Bruce is obsessed with you <3

Word count: 3.6k

Please don't copy my work! I put a lot of effort and heart into the things I write.

.・。.・゜✭・.・✫・゜・。..・。.・゜✭・.・✫

.・。.・゜✭・.・✫・゜・。..・。.・゜✭・.・✫

"A Gingerbread house contest?"

Bruce gave you a skeptical look as you explained your idea for the annual Wayne Yule Ball. You were sitting at the meeting table in the office of Wayne Enterprises, brain storming ideas to make this years Gala a little more interesting. The events were always quite boring, the only thing keeping your spirits up was the bar most of the time.

You'd occasionally hang around on the side lines with Alfred, people-watching Gothams wealth. This year had to be different. You were sick and tired of the fad and dragging evenings.

This was the Yule Ball, after all. The Manor would be decked in lights and ornaments, the lovely tunes of Christmas would echo through the halls and you'd actually have some fun for once.

Bruce would try to make them more bearable for you, inviting you to dance as much as he could, even if it earned him detesting looks. He wasn't a huge fan either, but it was his duty. He'd rather be curled up with you, feeling your warmth against his skin while doing your favorite festive activities.

Selina was seated next to you, twirling a pen between her fingers, looking like she was about to collapse from boredom. Alfred sat next to Bruce with a notepad, writing down any ideas that had come forth. Lucius was there too, of course, hoping to aid in any technical things.

"Yeah, why not? We need to do something interesting this year, and a making Gingerbread houses is a pretty classic activity, no?" You responded, shrugging slightly.

"I'll definitely come to the Ball if you pull through with that." Selina smirked. Bruce sighed, rubbing a hand over his face.

"Are you sure this is a good idea, honey? I mean, most of the people that attend aren't really ones to get their hands dirty."

"If I may, Master Bruce, I think it's a great idea." Alfred interrupted politely, making you smile. "I think it's important for the rich of Gotham to not lose touch with the average life. And, it'd be quite sweet, wouldn't it?"

Alfred grinned, proud of the pun he just made. You let put a small giggle while Selina and Lucius were smiling slightly. Bruce, on the other hand, sighed as his brows pulled together.

"Alright, so if we do this, who's going to be the judge?" He asked, finally caving in to your request.

"I knew you'd come around," you smiled, watching as a smirk tugged at the corners of his mouth, "I think it's pretty obvious. Alfred should judge the houses."

"Me? Miss, I'm flattered but I don't think I have the expertise to-"

"Nonesense, Alfie," Selina cut him off, "We've all seen what you can do in the kitchen. If anyone's going to judge anything, it should be you."

"I agree. He does make a mean Victoria Sponge." Luscius agreed, his reasoning strong enough to make Alfred ponder for a moment.

"It doesn't just have to be houses. We can just give them creative freedom, let them go at it." You suggested, earning nods of approval.

"I can't believe I'm about to say this," Selina mumbled, inhaling a sharp breath,"What if we make it a family event? Let them bring their kids. They'd probably be more open to the whole idea that way."

"Good thinking, Miss Kyle."

Bruce chewed on his lips as he thought. This would be very different than most years. His parents had started the tradition of a yearly Yule Ball, and he was afraid to make changes. But then he thought back to how his parents always tried to keep a somewhat humble life to be able to help the people in need more efficiently. Also, he could never say no to you.

"Okay. Why not. Even if they don't enjoy it, at least we'll have a good time." He smiled softly, looking at you. You almost beamed with excitment.

"We need a price too, right? What's the point of a contest without a price." Selina intervened. A silence fell over the room as everyone was thinking of what the price coule be.

"I say we give the winner an hour with Bruce's credit card and see how much damage they can do." You snorted, meaning it as a joke but when you weren't met with disagreement a surpirsed expression took over your face.

"Fine by me." Bruce shrugged. You forgot that he was a billionaire sometimes.

"Well, I wasn't expecting that but that just upped my determination by 100%." Selina grinned, making Bruce roll his eyes.

Bruce started talking to Lucius about the organizational aspects while you discreetly high fived Selina under the table. You'd talked about this idea before, your friend mostly finding it funny that the most esteemed people of Gotham would have to struggle with sprinkles and sticky icing.

She was quite impressed you pulled through, although that Bruce agreed wasn't a surprise to her. He'd do about anything you asked, which she sometimes used to her advantage.

"You truly have him wrapped around your finger, huh?" Selina mused, sending a sly smirk your way. You leaned back in your chair, inspecting the shimmering wedding band on your hand.

"Well, he wouldn't have put a ring on it if I hadn't." You grinned, making Selina shake her head with a chuckle.

"When do I need to be there to see Gotham get down and dirty?"

"December 25th, 8:00 pm, Wayne Manor."

"See ya then." The brunette gave you one last grin before taking her leave, claiming she had some 'business' to attend to. The so called 'business' would surely end up on the front page of the Gotham Gazette tomorrow morning. She was a great friend despite her passion for her illegal hobby. You couldn't really blame her, though. She'd grown up with nothing, and had to fight to survive.

You were the last one to complain if one of Gothams renowned business men mysteriously lost a couple of million dollars, which then appeared donated to a charity the next day. She'd never steal from you, or Bruce.

That's not to say she hadn't tried, but Selina did find that Martha's necklace suited you just a tad better than her. She had quite the soft spot for you, you weren't like the rest of the wealthy people she knew. You were honest, understanding and kind. Selina put a great amount of trust in you and she knew you'd never break it. If that meant having to put up with Bruce once in a while, so be it.

Alfred slipped into the seat next to you, Bruce and Luscius still discussing the guest list, when to send the invites, and to order all the necessary things for the contest.

"Truly a marvelous idea, Mrs. Wayne. He never dared to make any changes before you came along, you know?"

You turned you head towards him, a slight blush on your cheeks. Did you really have that much of an impact on him? To think that you were the one that made the Bruce Wayne soften and be more open to change made your heart swell with pride.

"Really? I thought he just never cared that much. For the Ball, I mean." You said, intrigued of what you were about to learn from Alfred about your beloved Husband.

"No, no, not at all. It was his favorite thing as a boy. What I'd do to see him happy like that again." The older man sighed, a melancholic tint in his eyes.

You smiled at the thought of Bruce being excited for Christmas. Just being a boy. You reckoned all of that changed after his parents' death. The warm and loving holiday was now left in gray dullness and the emptiness that he felt in his heart when he'd sit under the tree, all alone, yearning for a hug from his father and the gentle touch of his mothers lips on his cheek.

You were determined to fill that void, shower him in all your love until the gaping hole in his chest was fixed. Who knew if it was possible, but you were willing to give it your all.

"You will, I promise." You replied softly, gently placing your hand on his arm. Alfred gave you an appreciative smile, the sadness in his eyes wavering slightly. He softly padded your hand, resting it on it for a moment.

"You make him so happy already, though. I suppose I can't complain too much, can I?" He joked, making you laugh softly.

"I'm just loving him, that's all."

"That's all he needed." Alfred smiled softly.

Bruce glanced over to you, his heart pouding with pure love as he saw you laughing with Alfred. His two favorite people were getting along so well, it made unbridled joy bloom in his chest. You had changed his life, only for the better, you made him feel like a person again.

For years he'd been aimlessly wandering, hoping to find himself. He was lost in the dark, going through life pretending to be someone he wasn't. Or was he? He didn't know. But you were his guiding light, your gentle flicker lighting up his path. Your soft warmth getting him through many a cold night when the thoughts of self doubt and fear were gnawing at him.

All he needed was you pressed against his chest, your soft breathing like a sweet lullaby to him as you slept peacefully in his arms.

"Mister Wayne? Mister Wayne-" Lucius voice broke him out of his daydream, his back straightend and he cleared his throat, hoping no one caught him. You were still chatting on with Alfred, so you hadn't noticed, good. But when he looked over to Lucius, there was a knowing smirk on the man's face.

"Yes, Mr. Fox? Do you have the guest list ready?" Bruce questioned, fiddling with his fingers. He looked at Lucius expectantly, trying to hide his slight embarrassment.

"I don't blame you for staring. She fills the role of Mrs. Wayne perfectly." He answered, a gentle smile on his face. Bruce's shoulders immediately dropped, the tension fading away. He let out a small huff through his nose with a tight lipped smile.

"She does, doesn't she? It's like she was made for this. Made for me." He said quietly, the adoring look in his eyes as he admired you not being missed by the Inventor. Lucius placed a hand on his shoulder and gave it a squeeze.

"Why don't you spend the day together? I'll take care of everything." He said reassuringly.

Bruce's eyes widened slightly and he turned to face Lucius.

"Lucius-"

"No, I won't hear it. Go on, spend the day with her." He gave him chuckle before patting his back and gathering his things.

"We're done here, Mrs. Wayne. You can have your husband back." Lucius laughed, packing up the last of his documents. You giggled, which immediately set Bruce's heart aflame.

"How gracious of you, Mr. Fox." You teased, getting out of your chair, Alfred by your side.

"Let's go, my love. We have Christmas movies to watch and a dog to cuddle." You chirped, dragging him out of his chair.

All he could do was smile as he let himself be taken by you and wonder how he got this damn lucky.

.·:*¨༺ ༻¨*:·.

You were now curled up on the couch, Bruce by your side, his arm draped around you. Your dog, Rudy, was snoozing on your lap as you scratched his head. The extra weight and warmth of your pup made it hard to keep your eyes open.

You were resting comfortably against Bruce, who traced gentle patterns on your arm as he was tentatively watching the TV. A smile tugged at your lips at Bruce's soft breaths, his strong chest falling and rising, lulling you to sleep. Your smile was cut off by a yawn. You lifted your hand from Rudy's head to cover your mouth, but he let out a whine, immediately nudging at your hand.

You chuckled groggily, trying to keep the sleep at bay so you could enjoy your moment with Bruce.

"'M sorry, buddy." You cooed, going back to petting your fur baby.

"You're tired, honey, I'll take over. Go to sleep." Bruce said softly in your ear, gently moving your hand and replacing it with his, making Rudy's tail wag slightly.

"S'your fault for being so warm and comfy and- you." You mumbled, letting your head fall against his shoulder.

"I mean, I can stop." He teased, taking his arm away from around you. You caught his wrist in a surprisingly tight grip.

"Do it and see what happens." You slurred, eyes still closed. Even in your sleepy state, you were still your feisty little self.

"Alright, I'd like to keep my arm, please." He laughed, wrapping his arm around you again, just a little tighter this time. You nuzzled closer to his side, making Rudy begrudgingly adjust his position as well.

"Are you excited for the Yule Ball?" You asked quietly, looking up at your husband as best as you could with sleep tugging at your limbs.

"I am. For the first time in a while, actually. Thanks to you." He replied with a soft smile, placing a chaste kiss on the tip of your nose. A lopsided smile crept onto your face, and you stretched your neck a bit to press a sweet kiss to his lips.

"I love you." You mumbled before finally dozing off with a smile on your face.

"I love you too, honey." Bruce whispered gently, his lips pressed to the top of your head as he sunk into the couch.

He couldn't wait for the Ball. Something he loved so dearly that was tainted for him for many years was now coming back to him brighter than ever. All thanks to you, the lovely woman he chose to marry.

He'd marry you anew every single day if he could.

.·:*¨༺ ༻¨*:·.

The day had finally come, and you were a nervous wreck. You really didn't want to mess this up. You had big shoes to fill; Martha Wayne was loved by Gotham, and now that you held the title of Mrs. Wayne, you didn't want to disappoint anyone.

Not the people of Gotham, not Martha, but most importantly, not him. You'd been running around like a headless chicken the entire day, double checking everything so nothing could go wrong.

The decorations were being set up, and you might've snapped at a poor worker for hanging one of the garlands a little too much to the right. You were stressed out of your mind, regretting ever suggesting this. Right now, you were checking if all the sheets of Gingerbread had arrived and if all the decorations were set up.

The gentle touch of Bruce's hand on your shoulder snapped you out of the frenzy in your head. He guided you to a quiet corner with a hand on the small of your back.

"Bruce, I have to get back to-"

He interrupted you with a firm kiss, cupping your cheeks.

"No. You're completely stressing yourself out, and we can't have that. I'll take care of everything. And now you need to take care of yourself. Take a bath, get ready, do whatever you need to do. Please, calm down. Everything will be perfect, I promise." He said it so softly you could feel all the anxiety and stress fall away.

You let out a deep breath as you leaned into his touch.

"Okay. Thank you." You sighed with a small smile.

"Good. You know very well that tiring you out is my job." He said lowly with a glint in his eyes. You huffed and playfully hit his arm.

"Go check on the sprinkles."

"Yes, Ma'am."

.·:*¨༺ ༻¨*:·.

You did as he said, you took a bath to ease the tension in your muscles that had been building up throughout the day.

Now, you were sitting at your vanity, adding some final touches to your make-up. The guest would arrive soon, and you were glad the excitement took over the anxiety.

Bruce walked into your shared bedroom, fixing his cuffs.

"Are you almost ready?" He asked, not looking at you, still fiddling with his suit. You responded with a small 'Mhm!' and walked over to him, brushing some wrinkles out of your gown. When he did look at you, he visibly stopped in his tracks.

You were wearing a green velvet gown with lace accents, and he was completely enarmoured. When his gaze trailed upwards, he caught sight of his mothers necklace sitting around your neck. If you weren't already married, he'd would've proposed right now.

"You look stunning." He breathed out, hie pupils dilated. You chuckled softly, brushing your hand over the lapel of his jacket.

"Thank you. You look quite handsome yourself." You teased, earning a small smirk from him. His hands settled in your waist. Bruce hastily pulled you in for a passionate kiss.

The air was knocked from your lungs as his lips moved so perfectly against yours. You melted into his touch but caught yourself before you'd do something that'd make you two very late.

"Alright," you breathed heavily, steadying your hands on his chest, "that's enough, Lover boy. We have a Ball to host."

.·:*¨༺ ༻¨*:·.

All the guests had arrived and Bruce stepped into the center of the room, beginning his welcoming speech.

"Welcome, Everyone, I'm very glad you could join us here today for the annual Wayne Yule Ball. This is a tradition that my parents started that I wish to keep on as long as I can."

"This year will be a little different. Courtesy of my lovely wife, Mrs. Wayne," he looked in your direction and reached out his hand for you to take with a gentle smile, which you did without hesitation,"there will be a gingerbread house contest. I see you've brought your little ones and I hope that this will be a pleasant and memorable evening for us all." He ended his speech with a soft smile.

"Feel free to take as much times as you desire. Everything you need is provided, so all you need now is your imagination and creativity." You spoke up.

"Your delicious creations will be judged and the winner gets a nice reward. I hope you have a lovely time and a Merry Christmas!"

There was a small round of applause before old and young scrambled towards the tables decked with gingerbread, sprinkles and icing, to begin their gingerbread builds. You participated too, you'd teamed up with Selina, who had been nursing a flute of champagne until now.

Bruce and Lucius decided to indulge as well, already planning out their engineered masterpiece.

"Let's show 'em our claws." Selina smiled slyly. The lights made her dark blue dress embroidered with sparkling stars stand out. She looked very good this evening.

And Bruce might've paid for that dress... unknowingly.

"You got it, kitty." You replied with a smirk.

You were going the classic route. It would be a house, but more of a whimsical cottage type. Vines if icing were woven around the gingerbread walls, blooming into blankets of Ivy. The roof would be decked in sweet snow and delicate sugar flowers.

Selina couldn't help but add a tiny cat hidden at the back of the house. The atmosphere was delightful, laughter and chatter whisked through the room accompanied by the tunes of Christmas songs.

The decorations that adorned the walls and ceilings of the Manor dipped the room in a warm glow. You decided to glance over at Bruce and Lucius, to see what they'd come up with. When your gaze met their creation the piping bag of icing slipped from your hands and your jaw slacked.

"They built the goddamn batmobile." You said in disbelief, making your partner perk up.

She scoffed and went back to, now aggressively, pushing small sugar decorations into the icing.

"Show offs." Selina grumbled.

Bruce noticed your staring and shot you a toothy grin.

"A sweet ride, don't you think?"

You groaned at his terrible joke and shook your head.

"Unbelievable." You muttered, going back to perfecting your little house.

The chattered had died down as the judging began. Everyone watched in anticipation as Alfred made his way through room, inspecting each Gingerbread sculpture carefully. He made some small comments here and there, mainly on the ones the children had made.

In the end, a little girl and her sister won- they'd built, or at least tried to, a castle. Alfred thought it was very charming, and it reminded him of home, so naturally, he picked them as winners. They were overjoyed, jumping around excitedly, gushing it about it to their parents.

The girls earned a round of applause, and an arm slipped around your waist.

"A shame we didn't win." Bruce sighed playfully.

"I can't believe you built the batmobile. I expected a lot, but not that." You laughed, the lights reflecting off of you perfectly. Or at least that's what Bruce thought.

"But it was fun, don't you think? Thank you, again, for agreeing." You said softly. Bruce smiled at you, and gentle squeezed at your side.

"Anything for you. I can't wait to see what you come up with next year." He kissed your cheek, pulling you closer as you watched the joy and holiday cheer fill the room.

He truly couldn't wait for next year, to deck the halls with you by his side.

.・。.・゜✭・.・✫・゜・。..・。.・゜✭・.・✫

It didn't turn out as Christmas-y as I wanted it to, but I hope you enjoyed reading it nonetheless! <3

[linkhundr]

So NFTgate has now hit tumblr - I made a thread about it on my twitter, but I'll talk a bit more about it here as well in slightly more detail. It'll be a long one, sorry! Using my degree for something here. This is not intended to sway you in one way or the other - merely to inform so you can make your own decision and so that you aware of this because it will happen again, with many other artists you know.

Let's start at the basics: NFT stands for 'non fungible token', which you should read as 'passcode you can't replicate'. These codes are stored in blocks in what is essentially a huge ledger of records, all chained together - a blockchain. Blockchain is encoded in such a way that you can't edit one block without editing the whole chain, meaning that when the data is validated it comes back 'negative' if it has been tampered with. This makes it a really, really safe method of storing data, and managing access to said data. For example, verifying that a bank account belongs to the person that says that is their bank account.

For most people, the association with NFT's is bitcoin and Bored Ape, and that's honestly fair. The way that used to work - and why it was such a scam - is that you essentially purchased a receipt that said you owned digital space - not the digital space itself. That receipt was the NFT. So, in reality, you did not own any goods, that receipt had no legal grounds, and its value was completely made up and not based on anything. On top of that, these NFTs were purchased almost exclusively with cryptocurrency which at the time used a verifiation method called proof of work, which is terrible for the environment because it requires insane amounts of electricity and computing power to verify. The carbon footprint for NFTs and coins at this time was absolutely insane.

In short, Bored Apes were just a huge tech fad with the intention to make a huge profit regardless of the cost, which resulted in the large market crash late last year. NFTs in this form are without value.

However, NFTs are just tech by itself more than they are some company that uses them. NFTs do have real-life, useful applications, particularly in data storage and verification. Research is being done to see if we can use blockchain to safely store patient data, or use it for bank wire transfers of extremely large amounts. That's cool stuff!

So what exactly is Käärijä doing? Kä is not selling NFTs in the traditional way you might have become familiar with. In this use-case, the NFT is in essence a software key that gives you access to a digital space. For the raffle, the NFT was basically your ticket number. This is a very secure way of doing so, assuring individuality, but also that no one can replicate that code and win through a false method. You are paying for a legimate product - the NFT is your access to that product.

What about the environmental impact in this case? We've thankfully made leaps and bounds in advancing the tech to reduce the carbon footprint as well as general mitigations to avoid expanding it over time. One big thing is shifting from proof of work verification to proof of space or proof of stake verifications, both of which require much less power in order to work. It seems that Kollekt is partnered with Polygon, a company that offers blockchain technology with the intention to become climate positive as soon as possible. Numbers on their site are very promising, they appear to be using proof of stake verification, and all-around appear more interested in the tech than the profits it could offer.

But most importantly: Kollekt does not allow for purchases made with cryptocurrency, and that is the real pisser from an environmental perspective. Cryptocurrency purchases require the most active verification across systems in order to go through - this is what bitcoin mining is, essentially. The fact that this website does not use it means good things in terms of carbon footprint.

But why not use something like Patreon? I can't tell you. My guess is that Patreon is a monthly recurring service and they wanted something one-time. Kollekt is based in Helsinki, and word is that Mikke (who is running this) is friends with folks on the team. These are all contributing factors, I would assume, but that's entirely an assumption and you can't take for fact.

Is this a good thing/bad thing? That I also can't tell you - you have to decide that for yourself. It's not a scam, it's not crypto, just a service that sits on the blockchain. But it does have higher carbon output than a lot of other services do, and its exact nature is not publicly disclosed. This isn't intended to sway you to say one or the other, but merely to give you the proper understanding of what NFTs are as a whole and what they are in this particular case so you can make that decision for yourself.

[correlance]

Remember that one fan theory I wrote about Alastor having a rivalry with Thomas Edison in the 1920s? Well, I decided to do a bit more research; it turns out that, not only was I right, but Edison really hated radio. He loathed it so much that he wrote not one, but several articles railing against the "radio fad" in 1926, to the point where an anonymous person wrote "letters to the editor" to argue with Edison.

Gee, I wonder who it could be doing that in the Hazbin-verse? /s

GIF and art originally by karumkin on Twitter/X (2019).

There was also a slew of increasingly aggressive telegrams sent back-and-forth between Edison and radio proponents, with Edison penning thinly-veiled insults that offended even mild critics of the "Wizard":

"The radio is a commercial failure, and its popularity with the public is waning. Radio is impractical commercially, and ethically distorted, and is is losing its grip rapidly in the market and in the home. There is not 10% of the interest in the radio that there was last year.

Radio is a highly-complicated machine in the hands of people who know nothing about it. No dealers have made any money out of it. It is not a commercial machine, because it is too complicated. Reports from 4,000 Edison dealers who have handled radio sets show that they are rapidly abandoning it; and, as for its music, it is awful.

I don't see how they can listen to it. Thousands of people have signed a petition asking that sopranos be kept off the air. Of course, most of them don't know that the soprano voice distorts the radio. The phonograph is coming into its own because people want good music. The fact is that the radio never had a high peak of popularity.

In towns where 25 or 30 dealers were handling radio sets, only one or two are now handling them. A farmer 5 miles from town buys a radio, perhaps on the installment plan. A wire becomes loose. The dealer has to arrange to fix it. This happens time and time again. The business becomes unprofitable for the dealer to engage in. He does not make any money out of it. None of them has. They are giving it up as fast as they can. It is not a commercially successful machine, because it is too complicated.

Static is awful, and the difficulties of tuning out--and now, they're stealing each other's wavelengths! It is too bad that the radio has to be too complicated. It was a big and interesting thing, and the people responded to it, but they want good music, and they found it is not to be had on the radio. That is why the phonograph is reclaiming its own."

Quote from "Edison and Radio", Radio News, December 1926, "in which the Editor takes issue with Mr. Edison's claim that radio is a failure; yet it is pointed out that the radio industry owes Edison a great debt; wherein facts are figures are given to show that radio is on a steady increase; granting that neither radio, nor the phonograph, is yet perfect; how the interest in radio is steadily increasing, and radio dealers are now making good money":

"Since the publication of the famous interview with Mr. Edison, the press, and particularly the radio press across the entire country, has been more or less agitated...I do believe that Mr. Edison has not been recently in-touch with radio sufficiently to appreciate fully the tremendous advances that have been made. Mr. Edison is a busy man, and a tremendously busy inventor. It would be well-nigh impossible for him to be in-touch with all of the various commercial phases of radio all over the country; and, like other executives, he obtains his reports from his subordinates, and such reports often as not may be highly colorful, and even wrong...[thus, the radio industry is unwilling to accord Mr. Edison anything]...as to Mr. Edison's remarks, the statements that follow are facts, which can be checked up by anyone who is unbiased."

Imagine Alastor and Vox with "Stayed Gone" in Episode 2, and Alastor and Lucifer with "Hell's Greatest Dad" in Episode 5, but happening entirely over letters and telegrams, because mass media and television didn't exist yet. The closest musical numbers would likely be "Farmer Refuted" and "Your Obedient Servant" from Hamilton.

Per the book The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World by Randall E. Stross:

Page 276: "[Edison's] phonograph business faced a challenge in the 1920s unlike any that had come before: the advent of commercial radio stations, and the wide availability of free music broadcasts and other entertainment. By the end of 1921, an estimated 1 million listeners had access to radios, and listened to programs broadcast from the Eastern seaboard. A single station in Roselle, New Jersey, which offered the voices of operatic stars among its musical programs, had a broadcast range of a thousand miles, covering New England and the mid-Atlantic states, and reaching as far west as Missouri. A contemporary newspaper account explained to readers not yet acquainted with the phenomenon that those who owned radio sets could enjoy entertainment that was 'literally as free as the air'. Charles and Theodore Edison [proposed a combination phonograph-radio]...their father need not feel slighted because the vacuum tube, a key component of the radio set, was a modern descendant of Edison's experimental work on the incandescent lightbulb. Edison did feel slighted, however; such, at least, was the opinion of Thomas Cowan, a former Westinghouse employee...[who conducted experiments in radio broadcasts with the aid of a phonograph Edison was willing to loan him in 1921]. Cowan had several conversations about radio with Edison, who became upset and recalled the loaner when he heard the Westinghouse broadcasts...[Edison's sons were embarrassed, humiliated]."

"Edison calls radio a 'failure for music', thinks phonograph will regain its own": The New York Times, 23 September 1926. Underlining the usefulness of radio for purposes other than musical programs, Edison did tune in to a radio broadcast of the Dempsey-Tunney fight in 1926, which he was too deaf to hear. He had to rely on family members [usually his wife, Mina] to summarize what had transpired at the end of each round.

"Radio satisfactory on bout, Edison says": The New York Times, 24 September 1926. Defending the quality of musical broadcasts, the radio industry offered expert testimony to rebut Edison's claims [in the next week's newspaper]. See: "Broadcasters disagree with electrical wizard", The New York Times, 3 October 1926.

The "radio fad": A few months later, [after much outcry from the radio industry], Edison was willing to grant that radio might not disappear, but he had a new criticism: listeners' aesthetic sense would be damaged. "Undistorted music, in time, will sound strange to those brought up on radio music," he predicted, "and they will not like the real thing." See: "Thomas A. Edison sees a menace for music in the radio", Musician, January 1927.

"Edison's fears [about the Edison Company not succeeding in the radio business] were realized, though it had been Edison's intransigence (refusal to change one's views) that put the company at such a great disadvantage as a late entrant...on 9 October 1929, Charles Edison prepared a report for his father that showed a loss of $1.3 million due to start-up costs for the [Edison] radio...he could not know that, two weeks later, the stock sell-off would begin with Black Thursday, on 24 October, followed by Black Monday and Black Tuesday...a few days later, Thomas A. Edison, Inc., announced that it would cease producing [music] records [altogether], and refit the factory for the production of radios. The announcement was accompanied by a mention of regret, as the phonograph was 'one of Mr. Edison's favorite inventions'."

"An employee reported observing Harvey Firestone tearfully explaining to Edison that the collapse of business due to the stock market crash of 1929, and the Great Depression, meant that he could no longer continue to financially support Edison's laboratory. Edison was heard, sneering, 'He's a Goddamned lightweight.'" ("I saw your fiasco on the picture show, and I just couldn't resist. What a performance! Why, I haven't been that entertained since the stock market crash of 1929, hahaha! ...so many orphans.")

Edison's death at the age of 84 on 18 October 1931 was also, ironically, commemorated through radio broadcasts: "[The next] night, two radio networks, the National Broadcasting Company (NBC) and the Columbia Broadcasting Company (CBC), jointly broadcast an 8-minute tribute that ended on the hour, when listeners were asked to turn out the lights. The White House did so, and much of the nation followed, more or less together, some a minute before the hour, others on the hour. On Broadway, 75% of the electrified signs were turned off briefly. Movie theaters went dark for a moment. Everything seemed connected to Edison: the indoor lights, the traffic lights, the electric advertising, everyone connected via radio, which Edison now received credit for helping to 'perfect'. In the simple narrative that provided inspiration for posterity, one man had done it all..."

Some numbers provided for how much radio was making:

1922: $46.5 million (~$860 million in 2024)

1923: $120 million (~$2.2 billion in 2024) (156% increase)

1924: $350 million (~$6.3 billion in 2024) (186% increase)

1925: $449 million (~$8 billion in 2024) (27% increase)

1926: $520 million (~$9.1 billion in 2024) (14% increase)

Overall, per another source:

1922: $60 million (a little more than the previous statistic)

1929: $842.6 million

From here, we can tell the biggest gain was in 1923-1924. Per another source: "Total cost was about $120.00 to buy a new radio in 1926; in today's money, that is about $1,500 to own a radio." That would mean that 7.6 million radios were sold by 1926; an impressive feat, considering that the United States only had a population of a little over 117 million people at the time.

Percentages of United States households with radios:

1925: 19% (5 million households)

1929: 35-40% (200% increase)

1930: 12 million households

1939: 28 million households

The number of licensed broadcast stations surged from just 5 in 1921 to 500 by 1924, per yet another source. In the early years, household radio ownership was highest in the Northeast and on the West Coast. In large sections of the South, Midwest and Great Plains, stations and radio sets were scarce. However, there were notable exceptions.

There were 732 radio stations total across the country by 1927, and the average radio was on 2 hours and 25 minutes per day. People who couldn't afford radios purchased them on installment loans, through which the full price of a new radio could be paid over time. Radios had even more advertisements for washers, dryers, and refrigerators, causing people to use even more merchant credit and installment loans to purchase these shiny, new technological devices.

However, radio sales also took a hit with the Great Depression, as average income levels fell from $3,270 per year in 1920 ($53,300 in 2024), to $2,300 per year by 1929 ($41,500 in 2024), then to $1,500 per year by 1932 ($35,500 in 2024). However, buying a radio also became cheaper, dropping from a costly $200 ($3,200 in 2024) in the early 1920s, to just $35 ($630 in 2024) by 1929-1930.

By the time Alastor died in 1933, 3.6 million radio sets were sold that year alone. By the mid-1930s, 67% of American households had radio sets, and by 1939, about 80% of Americans—over 100 million people—owned radios. Radios were in almost every house, and some Americans even had radios in their cars. The Golden Age of Radio lasted from the 1930s to the 1940s, before being eclipsed by television in the 1950s. Radio hosts went from being paid $10 per broadcast in 1921 ($180-200, 1-2 hours per night, 3-4 nights a week, for a weekly salary of $720-800; monthly salary, $2,900-$3,200; annual salary, $34,800-$38,400; modern-day annual salary range for a radio show host is $30,000-100,000, depending) to making triple-figure salaries in the later 1930s.

Another source lists the following salary ranges for radio hosts:

$2,500-2,700 a year to be an announcer in 1927* (~$45,000-$48,000 range in 2024)

$2,400 a year to be a dramatic director (~$43,000 in 2024)

$4,000 a year to be a program director (~$72,000 in 2024)

New Orleans' first radio broadcast was on 31 March 1922, with WWL. The station wasn't started as a commercial one; but rather, "more of an experiment, started as an interest in wireless communication picked up nationally". The station did not go commercial until 1929, meaning that Alastor also probably had at least one other side job.

Also see:

"Early Radio Announcers Invented Their Profession in the 1920s"

"The History of the Radio Industry in the United States to 1940"

"'A Godlike Presence': The Impact of Radio on the 1920s and 1930s" by Tom Lewis

American Babel: Rogue Radio Broadcasters of the Jazz Age by Clifford John Doerksen (see excerpt here)

Race and Radio: Pioneering Black Broadcasters in New Orleans by Bala James Baptiste (Note: The earliest Black broadcast in New Orleans was in 1945, meaning Alastor was white-passing.)

"Golden Age of Black Radio - Part 1: The Early Years" (Note: The first Black radio announcer, Jack L. Cooper, hosted in 1929.)

"How African Americans Entered Mainstream Radio" by Bala James Baptiste, the author of Race and Radio: Pioneering...